BenQ's new Joybee GP2 video projector is highly portable and works with an array of media sources. Onboard memory allows it to be used independently of other devices.
BenQ launched its tiny Joybee video projector back in September 2009. The company has now released its second-generation offering, the Joybee GP2.
Despite measuring 140.3 x 93.8 x 129.8 mm and weighing 1.05kg (all including the optional battery), the Joybee GP2 can project a 1280x800 pixel image measuring between 20 and 160 in (50 to 406 cm) with a brightness of 200 ANSI lumens.
For such a compact device, the Joybee GP2 has an surprising array of interfaces: VGA, composite, mini HDMI, audio in and out, iPod/iPhone dock, USB, and SD/SDHC. This means it can be used with a wide variety of sources at home or away.
The Joybee GP2 even has 2GB of internal memory so it can be preloaded with content and used stand-alone.
BenQ claims the LED lamp is good for 30,000 hours (ten years at eight hours per day) without loss of brightness.
“The Joybee GP2 is about providing the consumer with a user friendly experience like no other – it is unique to the market via the Apple docking station, unparalleled connectivity applications and size," said Chee F Chung, BenQ's general manager for Australia. "It is so small and light it truly fits in the palm of your hand making it totally portable and easy to transport."
The Joybee GP2 goes on sale this month for $699.
2012年2月9日 星期四
2012年2月8日 星期三
Facelifted 2013 GMC Acadia and Acadia Denali
As the adage goes, if it ain’t broke, don’t fix it. And since sales of the GMC Acadia climbed to a new high in 2011, it’s not surprising the revised 2013 GMC Acadia — which debuted this morning at the Chicago Auto Show — doesn’t attempt to reinvent what seems to be a successful formula.
GMC did, however, treat the Acadia to a fairly significant facelift. The front clip is all-new, and borrows more than its fair share of cues from the funky little Granite concept of 2010. Trapezoidal projector headlamps — which also boast LED running lamps — point towards a prominent grille opening, which boasts a three-bar insert first launched with the small Terrain crossover. A new rear diffuser and tail lamp lenses dress up the rear end, as do D-pillars that are flush with the quarter and rear window glass.
The overall shape and design of the 2013 GMC Acadia’s interior isn’t far removed from its predecessor, but it does boast far more soft-touch materials than ever before. A touchscreen-based audio system is standard equipment, and integrates Bluetooth phone connectivity, along with access to Web-based audio services like Pandora and Stitcher.
Seeing as the upmarket Acadia Denali accounted for 30 percent of all GMC Acadia sales last year, it’s not surprising to see the model return for the 2013 model year. 2013 Acadia Denali models differ from their lesser siblings by way of a unique polished grille insert, bespoke front and rear bumper fascias (the latter sporting integrated dual exhausts), body-color cladding and fender flares, and 20-inch wheels. Acadia Denali models also receive perforated leather seating (and a unique cocoa dune color), navigation, panoramic sunroof, blind-spot detection, and all-wheel-drive as standard equipment. Exterior badges also distinguish the Acadia Denali from lesser models.
Don’t look for much change underhood. Power still comes from GM’s direct-injection, 3.6-liter V-6, which is rated at 288 hp and 270 lb-ft of torque. The 6T75 six-speed automatic remains the only transmission choice, but GM claims it’s tweaked both calibration and hardware to improve shift quality. Contrary to popular rumors — or competitors like Ford’s EcoBoosted Explorer — a smaller, thriftier engine option doesn’t appear to be under consideration at this stage. Officials are fairly happy with the 3.6-liter V-6′s fuel economy: 2013 GMC Acadia figures are unavailable, but they should remain close to the 17/24 mpg (city/highway) and 16/23 mpg EPA figures assigned to 2012 GMC Acadia front- and all-wheel-drive 16/23 awd models, respectively.
Pricing is unavailable at this point, but expect finalized figures to emerge this fall, as 2013 Acadias are slated to roll into GMC showrooms across the nation in the fourth quarter of 2012.
For more on the 2013 GMC Acadia, check out our First Look here. For more on the 2012 Chicago Auto Show, including videos, the latest photos, and more information, click here to visit our Chicago Show homepage.
GMC did, however, treat the Acadia to a fairly significant facelift. The front clip is all-new, and borrows more than its fair share of cues from the funky little Granite concept of 2010. Trapezoidal projector headlamps — which also boast LED running lamps — point towards a prominent grille opening, which boasts a three-bar insert first launched with the small Terrain crossover. A new rear diffuser and tail lamp lenses dress up the rear end, as do D-pillars that are flush with the quarter and rear window glass.
The overall shape and design of the 2013 GMC Acadia’s interior isn’t far removed from its predecessor, but it does boast far more soft-touch materials than ever before. A touchscreen-based audio system is standard equipment, and integrates Bluetooth phone connectivity, along with access to Web-based audio services like Pandora and Stitcher.
Seeing as the upmarket Acadia Denali accounted for 30 percent of all GMC Acadia sales last year, it’s not surprising to see the model return for the 2013 model year. 2013 Acadia Denali models differ from their lesser siblings by way of a unique polished grille insert, bespoke front and rear bumper fascias (the latter sporting integrated dual exhausts), body-color cladding and fender flares, and 20-inch wheels. Acadia Denali models also receive perforated leather seating (and a unique cocoa dune color), navigation, panoramic sunroof, blind-spot detection, and all-wheel-drive as standard equipment. Exterior badges also distinguish the Acadia Denali from lesser models.
Don’t look for much change underhood. Power still comes from GM’s direct-injection, 3.6-liter V-6, which is rated at 288 hp and 270 lb-ft of torque. The 6T75 six-speed automatic remains the only transmission choice, but GM claims it’s tweaked both calibration and hardware to improve shift quality. Contrary to popular rumors — or competitors like Ford’s EcoBoosted Explorer — a smaller, thriftier engine option doesn’t appear to be under consideration at this stage. Officials are fairly happy with the 3.6-liter V-6′s fuel economy: 2013 GMC Acadia figures are unavailable, but they should remain close to the 17/24 mpg (city/highway) and 16/23 mpg EPA figures assigned to 2012 GMC Acadia front- and all-wheel-drive 16/23 awd models, respectively.
Pricing is unavailable at this point, but expect finalized figures to emerge this fall, as 2013 Acadias are slated to roll into GMC showrooms across the nation in the fourth quarter of 2012.
For more on the 2013 GMC Acadia, check out our First Look here. For more on the 2012 Chicago Auto Show, including videos, the latest photos, and more information, click here to visit our Chicago Show homepage.
2012年2月7日 星期二
ViewSonic Announces Full HD 1080p Home Cinema Laser Hybrid LED Projector
ViewSonic, a leading global provider of computing, consumer electronics and communications solutions, dynamically displays the full spectrum of projector offerings from home entertainment, data projector to high brightness installation. ViewSonic also unveils the new Laser Hybrid LED projector at ISE 2012, full HD 1080P projection.
Product Highlights Expanding its projector product portfolio, ViewSonic announces the world first full HD 1080p home cinema Laser Hybrid LED projector.
ViewSonic's latest Laser Hybrid LED projectors incorporate a state-of-the-art hybrid light engine which facilitates vivid colour display and performance. The LEDs and lasers combine as a light source to create vibrant and rich display colour, which generate a colour spectrum exceeding that of normal mercury light projectors. Furthermore, this new technology delivers a longer light source life of up to 20,000 hours for greater energy and cost savings.
In addition to longer lamp life, ViewSonic Laser Hybrid LED projectors also provide versatile colour modes and 1,200 lumens of brightness for the best effect at home. The projection performance is absolutely radiant with exceptional colour accuracy. Coupled with the high lumen output and pure colour correction and filter, it presents an absolutely authentic level of the three primary colours, red, green and blue which significantly expands the colour gamut and presents clear and concise images, even in the brighter ambient.
Moreover, the instant on/off function eliminates the need for a cool down period associated with conventional lamp-based projectors, providing a user experience as friendly and trouble-free as possible.
ViewSonic Laser Hybrid LED projectors feature Full HD 1080p high resolution, the ideal solution for top of the range home cinema performance. Also, full analog and digital connectivity allows easy setup concerning all media and DVD players.
Product Highlights Expanding its projector product portfolio, ViewSonic announces the world first full HD 1080p home cinema Laser Hybrid LED projector.
ViewSonic's latest Laser Hybrid LED projectors incorporate a state-of-the-art hybrid light engine which facilitates vivid colour display and performance. The LEDs and lasers combine as a light source to create vibrant and rich display colour, which generate a colour spectrum exceeding that of normal mercury light projectors. Furthermore, this new technology delivers a longer light source life of up to 20,000 hours for greater energy and cost savings.
In addition to longer lamp life, ViewSonic Laser Hybrid LED projectors also provide versatile colour modes and 1,200 lumens of brightness for the best effect at home. The projection performance is absolutely radiant with exceptional colour accuracy. Coupled with the high lumen output and pure colour correction and filter, it presents an absolutely authentic level of the three primary colours, red, green and blue which significantly expands the colour gamut and presents clear and concise images, even in the brighter ambient.
Moreover, the instant on/off function eliminates the need for a cool down period associated with conventional lamp-based projectors, providing a user experience as friendly and trouble-free as possible.
ViewSonic Laser Hybrid LED projectors feature Full HD 1080p high resolution, the ideal solution for top of the range home cinema performance. Also, full analog and digital connectivity allows easy setup concerning all media and DVD players.
2012年2月6日 星期一
Panasonic Introduces PT-DZ21K Smallest and Lightest 3-Chip DLP Projector with 3D Capability
Panasonic Europe today announced the PT-DZ21K Series, its new flagship 20,000 lumen 3-chip DLP projectors. The series consists of PT-DZ21K with WUXGA resolution and 20,000 lumens of brightness, PT-DS20K with SXGA+ resolution and 20,000 lumens of brightness and PT-DW17K with WXGA resolution and 16,500 lumens of brightness. In addition to the high brightness and the compact body, the projector boasts a long lamp replacement cycle of up to 2,000 hours and has 3D compatibility making it ideal for large venue applications such as auditorium, museum applications and for rental and staging that require easy handling.
The DZ21K Series boasts a powerful 20,000 lumens of brightness from the incorporation of four new 465W UHM lamps. The high brightness is supported by 10,000:1 contrast ratio, Panasonic’s proprietary Detail Clarity Processor 3 engine that brings out the fine details in images, and DICOM Simulation mode for use in medical training. The PT-DZ21K and PT-DS20K are both active 3D stereo projectors expanding the visual impact of the projected images. The supported 3D system is an active shutter system where the projector can be easily equipped with an external emitter via the 3D timing signal IN/OUT terminal. Frame sequential, side by side and top and bottom formats are supported as well as an easy menu to adjust for passive polarized 3D system.
Much cost savings is possible on the DZ21K Series with the up to 2,000 hours lamp replacement cycle. In addition, these lamps can be set to relay mode for 24/7 operation. The cost savings is also backed up by the up to 12,000 hours maintenance free Eco filter, the low power consumption of under 2,500W, space saving in the warehouse, and the low shipping cost necessary to ship the projector from one location to the next for rental and staging application.
“The PT-DZ21K is a revolutionary product for the staging and events market. Never before has it been possible to project 20.000 lumen from such a small and light projector”, says Hartmut Kulessa, Marketing Manager for Projectors at Panasonic Europe. “With a competitive price-point, low noise level, simple installation and transportation, this projector is perfect for rental and staging companies who are looking for something compact but with a full set of professional features like geometric adjustment, 3D capability and multi-screen features.”
The DZ21K series has a long lamp life cycle with up to 2,000 hours and can be set to relay mode for 24/7 operation. It also has up to 12,000 hours of maintenance free Eco filter, a low power consumption of under 2,500W, and a low shipping cost, which is ideal for rental and staging applications.
The projector comes equipped with a Lens Memory feature which adjusts the image size and location to up to three different projection positions and the mechanical shutter can be programmed to fade the image in and out during show transitions. All models have built in Edge Blending as well as Multi-Unit Brightness Control for projections on to wide screens and surfaces to create an immersive experience. Furthermore, PT-DZ21K and PT-DS20K are compatible to various curved screen projections with the Geometric Adjustment feature. The Geometric Adjustment feature can be enhanced with the optional upgrade kit, ET-UK20, to support more diverse curvatures and shapes. Bitmap masking becomes available enabling projections onto unique shapes.
The DZ21K Series boasts a powerful 20,000 lumens of brightness from the incorporation of four new 465W UHM lamps. The high brightness is supported by 10,000:1 contrast ratio, Panasonic’s proprietary Detail Clarity Processor 3 engine that brings out the fine details in images, and DICOM Simulation mode for use in medical training. The PT-DZ21K and PT-DS20K are both active 3D stereo projectors expanding the visual impact of the projected images. The supported 3D system is an active shutter system where the projector can be easily equipped with an external emitter via the 3D timing signal IN/OUT terminal. Frame sequential, side by side and top and bottom formats are supported as well as an easy menu to adjust for passive polarized 3D system.
Much cost savings is possible on the DZ21K Series with the up to 2,000 hours lamp replacement cycle. In addition, these lamps can be set to relay mode for 24/7 operation. The cost savings is also backed up by the up to 12,000 hours maintenance free Eco filter, the low power consumption of under 2,500W, space saving in the warehouse, and the low shipping cost necessary to ship the projector from one location to the next for rental and staging application.
“The PT-DZ21K is a revolutionary product for the staging and events market. Never before has it been possible to project 20.000 lumen from such a small and light projector”, says Hartmut Kulessa, Marketing Manager for Projectors at Panasonic Europe. “With a competitive price-point, low noise level, simple installation and transportation, this projector is perfect for rental and staging companies who are looking for something compact but with a full set of professional features like geometric adjustment, 3D capability and multi-screen features.”
The DZ21K series has a long lamp life cycle with up to 2,000 hours and can be set to relay mode for 24/7 operation. It also has up to 12,000 hours of maintenance free Eco filter, a low power consumption of under 2,500W, and a low shipping cost, which is ideal for rental and staging applications.
The projector comes equipped with a Lens Memory feature which adjusts the image size and location to up to three different projection positions and the mechanical shutter can be programmed to fade the image in and out during show transitions. All models have built in Edge Blending as well as Multi-Unit Brightness Control for projections on to wide screens and surfaces to create an immersive experience. Furthermore, PT-DZ21K and PT-DS20K are compatible to various curved screen projections with the Geometric Adjustment feature. The Geometric Adjustment feature can be enhanced with the optional upgrade kit, ET-UK20, to support more diverse curvatures and shapes. Bitmap masking becomes available enabling projections onto unique shapes.
2012年2月5日 星期日
Cavalia Dazzles with Real-Life Feats of Strength and Skill
The marketing and promotional people behind Cavalia are not shy about the production's lavish details: a 210-foot widescreen projector that helps create special visual effects, a "dreamlike" set with backdrops of misty forests, and, of course, the massive 26,264-square-foot white big top that has caught the attention of thousands of SR 520 drivers since it went up in December.
The show, tagged Cavalia: A Magical Encounter Between Human and Horse, does indeed feature some impressive visual effects. The screening I attended earlier this week took me and the rest of the audience through a sequence of changing seasons, complete with falling "leaves" and "snow" (on the audience as well as the performers), as well as a couple of rainstorms (thankfully confined to the stage). Medieval-era costumes and dramatic music gave the show a feeling of fairy-tale fantasy.
But those who attend Cavalia expecting a magic show might be disappointed. Sure, audience members who are younger than 12 or have a solid ability to suspend disbelief will still be struck with a couple of "I don't know how they did that!" moments. But for the rest of us, the show is more a display of extreme skill and dedication on the part of both the human and animal performers.
To me, this distinction makes Cavalia no less impressive. From the acrobats who manage to pull off flips and spins on objects like balls, beams—and yes, animals—to the trick riders who make dangling backwards off galloping horses look like simple morning stretches, the performers' skill is constantly on display.
Even more striking is the complete obedience and agility of the horses. Cavalia trainers can spend years preparing their four-legged stars for the stage, and it shows.
My favorite part of the show was a scene featuring a single performer and six un-saddled horses. There were no elaborate visual effects, costumes or music—just an inspiring display of what can happen when human and animal learn to communicate with and trust one another.
Seemingly using just verbal cues, the performer gradually managed to convince the six massive animals to gallop end-to-end in circles around her, then change directions one by one. Most people couldn't imagine getting dogs to pull off a similar act, let alone full-size beasts that are much larger than humans and can easily be spooked.
Scenes like this are part of what makes Cavalia especially appealing to people who raise horses or grew up around the animals. But even those without this experience can recognize the painstaking work and patience that both horse and trainer must have had to demonstrate toward one another to pull off the show.
The show, tagged Cavalia: A Magical Encounter Between Human and Horse, does indeed feature some impressive visual effects. The screening I attended earlier this week took me and the rest of the audience through a sequence of changing seasons, complete with falling "leaves" and "snow" (on the audience as well as the performers), as well as a couple of rainstorms (thankfully confined to the stage). Medieval-era costumes and dramatic music gave the show a feeling of fairy-tale fantasy.
But those who attend Cavalia expecting a magic show might be disappointed. Sure, audience members who are younger than 12 or have a solid ability to suspend disbelief will still be struck with a couple of "I don't know how they did that!" moments. But for the rest of us, the show is more a display of extreme skill and dedication on the part of both the human and animal performers.
To me, this distinction makes Cavalia no less impressive. From the acrobats who manage to pull off flips and spins on objects like balls, beams—and yes, animals—to the trick riders who make dangling backwards off galloping horses look like simple morning stretches, the performers' skill is constantly on display.
Even more striking is the complete obedience and agility of the horses. Cavalia trainers can spend years preparing their four-legged stars for the stage, and it shows.
My favorite part of the show was a scene featuring a single performer and six un-saddled horses. There were no elaborate visual effects, costumes or music—just an inspiring display of what can happen when human and animal learn to communicate with and trust one another.
Seemingly using just verbal cues, the performer gradually managed to convince the six massive animals to gallop end-to-end in circles around her, then change directions one by one. Most people couldn't imagine getting dogs to pull off a similar act, let alone full-size beasts that are much larger than humans and can easily be spooked.
Scenes like this are part of what makes Cavalia especially appealing to people who raise horses or grew up around the animals. But even those without this experience can recognize the painstaking work and patience that both horse and trainer must have had to demonstrate toward one another to pull off the show.
2012年2月2日 星期四
New Car Models
Chrysler’s Mopar division continues to show off its customization skills with the introduction of four new vehicles, all of which will be available in fall 2012 as stage kits or, for those who like to do things themselves, can be configured “a la carte” from the Mopar parts catalogue.
To celebrate its 75th anniversary, the parts and accessories division of Chrysler (Mopar stands for MOtor PARts) recently unveiled the Mopar ’12 300 (a customized Chrysler 300 sedan), Fiat 500 “Stinger,” Mopar Jeep Compass “True North” and Dodge Dart “GTS 210 Tribute.” All will be on display to the public at the 2012 Chicago Auto Show.
“These head-turning ‘Moparized’ vehicles show how we can go to the next level of personalization,” said Pietro Gorlier, President and CEO of Mopar, Chrysler Group LLC’s service, parts and customer-care brand. “With our best-in-class offerings of parts and accessories, we give our customers every opportunity to further enhance the appearance and performance of their vehicles.”
The blacked out Mopar ‘12 300 transforms the Chrysler 300 flagship sedan into a performance tribute to celebrate Mopar’s 75th anniversary with unique appointments, select high-performance parts and appearance items such as a black chrome seven bar grille, blue A-line body stripes and 20-inch forged aluminum gloss black wheels.
An exclusive engine cover hints at the 363 horsepower 5.7-litre HEMI V8 harnessed in by a proven five-speed W5A580 automatic transmission controlled by a unique Mopar shifter. The rear differential has been boosted from 3.06:1 to a 3.91:1 final-drive ratio for enhanced acceleration – enabling 0-60 mph blasts in the low 5-second range. Handling is entrusted to a performance-tuned suspension with 42% stiffer front and 23% stiffer rear spring rates compared to the regular Chrysler 300.
The interior is monotone black with blue accents throughout. Mopar’s Katzkin perforated leather is used for the front power adjustable front heated seats and rear heated perches. The steering wheel (with die-cast paddles for shifting) and shifter handle are also wrapped in leather.
The dash and centre console feature matte carbon hydrographic inserts, while piano black forms the backdrop on the centre stack, gauge cluster, door panels and steering wheel spokes. UConnect touch screen display controls the infotainment system, as well as the 506-watt Alpine nine-speaker surround sound system.
For safety, the SafetyTec Group includes adaptive HID headlights with automatic levelling, Forward Collision Warning with adaptive-cruise control, Blind-spot monitoring with Rear Cross Path detection, ParkSense front and rear sensors, LED rear fog lamps, exterior mirrors with supplemental turn signals and puddle lamp. Additional safety features include rain-sense wipers and SmartBeam headlamps.
Only 500 are scheduled to be built inBrampton, Ont., and will be priced from $49,700 in the U.S. Buyers get a personalized owner kit in a customized Mopar box, Mopar-branded key fobs and Mopar ‘12 300 merchandise. The kit will include an original sketch of the car signed by the designer, a certificate with the vehicle identification number (VIN), exact date of manufacture and the series number, and a brochure highlighting the unique features of the vehicle.
The Dodge Dart GTS 210 Tribute picks up several matte-black trim pieces, including a lower chin spoiler, side sills, rear spoiler and rear-diffuser panel. A lightweight carbon-fibre hood with large air scoop and 18-inch, 10-spoke forged alloy titanium-coloured wheels. Inside, there is Ruby Red leather on the seats, steering wheel, door panels, center armrest and map-pocket inserts, accented with black stitching, and Piano Black trim on the shifter, cupholder and the dash-vent bezels. Maximizing fuel/air mix and spark advance, with an improved air-flow intake and low back-pressure exhaust takes the 2.4-litre MultiAir four-cylinder engine output up to 210 horsepower (from 184).
Like the Dart customization, the Fiat 500 “Stinger” also integrates two Mopar stage kits that deliver bold styling appointments and select high-performance parts. Giallo (yellow) exterior paint combines with unique blackened exterior and interior appointments to amplify the coupe/hatchback’s athletic styling. The Fiat signature “whiskers and logo” face and circular projector headlamps are finished in Black Chrome, as are the side mirror caps and door handles. The sides and roof get vinyl black checker graphics. Seventeen-inch Abarth Hyper Black aluminum wheels are shod with 205/40R17 performance tires for better grip on the power provided by the enhanced 1.4-litre MultiAir four-cylinder engine, while performance cross-drilled brakes bring things to a halt quickly, when needed. The yellow/black motif is carried inside, accented with carbon-fibre decaled instrument panel, Alcantara seat centres and a gloss black shifter ball.
To celebrate its 75th anniversary, the parts and accessories division of Chrysler (Mopar stands for MOtor PARts) recently unveiled the Mopar ’12 300 (a customized Chrysler 300 sedan), Fiat 500 “Stinger,” Mopar Jeep Compass “True North” and Dodge Dart “GTS 210 Tribute.” All will be on display to the public at the 2012 Chicago Auto Show.
“These head-turning ‘Moparized’ vehicles show how we can go to the next level of personalization,” said Pietro Gorlier, President and CEO of Mopar, Chrysler Group LLC’s service, parts and customer-care brand. “With our best-in-class offerings of parts and accessories, we give our customers every opportunity to further enhance the appearance and performance of their vehicles.”
The blacked out Mopar ‘12 300 transforms the Chrysler 300 flagship sedan into a performance tribute to celebrate Mopar’s 75th anniversary with unique appointments, select high-performance parts and appearance items such as a black chrome seven bar grille, blue A-line body stripes and 20-inch forged aluminum gloss black wheels.
An exclusive engine cover hints at the 363 horsepower 5.7-litre HEMI V8 harnessed in by a proven five-speed W5A580 automatic transmission controlled by a unique Mopar shifter. The rear differential has been boosted from 3.06:1 to a 3.91:1 final-drive ratio for enhanced acceleration – enabling 0-60 mph blasts in the low 5-second range. Handling is entrusted to a performance-tuned suspension with 42% stiffer front and 23% stiffer rear spring rates compared to the regular Chrysler 300.
The interior is monotone black with blue accents throughout. Mopar’s Katzkin perforated leather is used for the front power adjustable front heated seats and rear heated perches. The steering wheel (with die-cast paddles for shifting) and shifter handle are also wrapped in leather.
The dash and centre console feature matte carbon hydrographic inserts, while piano black forms the backdrop on the centre stack, gauge cluster, door panels and steering wheel spokes. UConnect touch screen display controls the infotainment system, as well as the 506-watt Alpine nine-speaker surround sound system.
For safety, the SafetyTec Group includes adaptive HID headlights with automatic levelling, Forward Collision Warning with adaptive-cruise control, Blind-spot monitoring with Rear Cross Path detection, ParkSense front and rear sensors, LED rear fog lamps, exterior mirrors with supplemental turn signals and puddle lamp. Additional safety features include rain-sense wipers and SmartBeam headlamps.
Only 500 are scheduled to be built inBrampton, Ont., and will be priced from $49,700 in the U.S. Buyers get a personalized owner kit in a customized Mopar box, Mopar-branded key fobs and Mopar ‘12 300 merchandise. The kit will include an original sketch of the car signed by the designer, a certificate with the vehicle identification number (VIN), exact date of manufacture and the series number, and a brochure highlighting the unique features of the vehicle.
The Dodge Dart GTS 210 Tribute picks up several matte-black trim pieces, including a lower chin spoiler, side sills, rear spoiler and rear-diffuser panel. A lightweight carbon-fibre hood with large air scoop and 18-inch, 10-spoke forged alloy titanium-coloured wheels. Inside, there is Ruby Red leather on the seats, steering wheel, door panels, center armrest and map-pocket inserts, accented with black stitching, and Piano Black trim on the shifter, cupholder and the dash-vent bezels. Maximizing fuel/air mix and spark advance, with an improved air-flow intake and low back-pressure exhaust takes the 2.4-litre MultiAir four-cylinder engine output up to 210 horsepower (from 184).
Like the Dart customization, the Fiat 500 “Stinger” also integrates two Mopar stage kits that deliver bold styling appointments and select high-performance parts. Giallo (yellow) exterior paint combines with unique blackened exterior and interior appointments to amplify the coupe/hatchback’s athletic styling. The Fiat signature “whiskers and logo” face and circular projector headlamps are finished in Black Chrome, as are the side mirror caps and door handles. The sides and roof get vinyl black checker graphics. Seventeen-inch Abarth Hyper Black aluminum wheels are shod with 205/40R17 performance tires for better grip on the power provided by the enhanced 1.4-litre MultiAir four-cylinder engine, while performance cross-drilled brakes bring things to a halt quickly, when needed. The yellow/black motif is carried inside, accented with carbon-fibre decaled instrument panel, Alcantara seat centres and a gloss black shifter ball.
2012年2月1日 星期三
Canon REALiS WUX5000 / D Installation LCOS Projectors
Canon introduced its brightest-ever, 5000-lumen REALiS Installation LCOS Projectors, which are designed to provide exceptional display performance for a wide range of professional AV markets. Incorporating multiple features for convenient installation and maintenance, the new REALiS WUX5000 and WUX5000 D Installation LCOS Projectors utilize Canon's unique fourth-generation AISYS (Aspectual Illumination System) optical technology to maximize the display capabilities of their advanced LCOS (Liquid Crystal on Silicon) imaging panels. This combination enables the projectors to deliver higher-than-HD-resolution (1920 x 1200) widescreen video and still images with an aspect ratio of 16:10 and a high brightness level of 5000 lumens. The 5000 lumen brightness level improves display quality in long throw venues or rooms with relatively high ambient light levels, thereby increasing the versatility of the new projectors for a wider variety of viewing environments.
Capable of displaying many different kinds of high-resolution video and computer signals with highly accurate color, superior display of movement, crisp contrast, and sharper blacks, the REALiS WUX5000 Installation LCOS Projector features a built-in Canon Color-Correction IC (integrated circuit) and 3D color LUT (look-up table) for six-axis color management. Users can adjust specific colors without affecting the display of neighboring colors. A dynamic gamma feature can also optimize gradation reproduction and contrast, which can be beneficial when displaying movies with low-contrast scenes. A Memory Color Correction feature enables users to save their preferred color settings. User-determined display settings for the REALiS WUX5000 Installation LCOS Projector also include Presentation, Vivid Photo, and Photo/sRGB.
The REALiS WUX5000 D Installation LCOS Projector has all the features of the WUX5000 model plus a DICOM Simulation mode designed to reproduce medical images such as X-Rays, CAT scans and MRI images with superb 21-step grayscale gradation.
Further contributing to the display excellence - and installation convenience - of the new Canon REALiS WUX5000 and WUX5000 D Installation LCOS Projectors are the three optional high-resolution interchangeable lenses available for the units. These lenses - including a 1.5x Zoom, 0.8x Ultra Wide Angle single focal length, and 1.7x Long Focus Zoom - incorporate advanced low-distortion and high-resolution optical technologies originally developed for Canon's camera lenses. Engineered to minimize brightness loss, each lens is the same physical length, due to the use of advanced Canon aspherical elements. This uniformity of length can simplify shipment of assembled projector/lens units for rental/staging companies, and avoid lens-overhang issues when mounted inside projector-lift systems.
Additional installation convenience is provided by the Canon REALiS WUX5000 and WUX5000 D Installation LCOS Projectors' motorized Lens Shift feature. This enables installers to overcome moderate projector-placement obstacles by shifting the lens itself to adjust the vertical and horizontal position of the projected image. (This is done using the projector's control panel or remote control.) The projector can be ceiling-mounted with a plate or extension pole using either Canon's mounting bracket or products from independent ceiling-mount companies. When used in multi-projector configurations, the REALiS WUX5000 and WUX5000 D can also be stacked or installed side by side.
The projector's lamp and air filter assemblies can be expediently replaced from the back and side of the projector respectively, and its optical filter element can be replaced from the top of the unit for added convenience and economy.
Industry-standard digital and analog terminals and connectors ensure the new Canon REALiS WUX5000 and WUX5000 D Installation LCOS Projectors' compatibility with a wide range of video and computer devices. Signal inputs include HDMI Version 1.3, DVI-D and analog PC terminals, two audio inputs, and one audio output for external amplification and speakers. A built-in five-watt speaker is also included. A network-ready RJ-45 port allows for authorized users to manage and control multiple projectors from any PC on the network. An RS-232 serial connection allows for monitoring the projector locally through a third-party control system. A hand-held remote control enables users to control up to four REALiS WUX5000 and WUX5000 D Installation LCOS Projectors individually or simultaneously. Lens Shift and Gamma Control buttons are also included on the remote control.
Capable of displaying many different kinds of high-resolution video and computer signals with highly accurate color, superior display of movement, crisp contrast, and sharper blacks, the REALiS WUX5000 Installation LCOS Projector features a built-in Canon Color-Correction IC (integrated circuit) and 3D color LUT (look-up table) for six-axis color management. Users can adjust specific colors without affecting the display of neighboring colors. A dynamic gamma feature can also optimize gradation reproduction and contrast, which can be beneficial when displaying movies with low-contrast scenes. A Memory Color Correction feature enables users to save their preferred color settings. User-determined display settings for the REALiS WUX5000 Installation LCOS Projector also include Presentation, Vivid Photo, and Photo/sRGB.
The REALiS WUX5000 D Installation LCOS Projector has all the features of the WUX5000 model plus a DICOM Simulation mode designed to reproduce medical images such as X-Rays, CAT scans and MRI images with superb 21-step grayscale gradation.
Further contributing to the display excellence - and installation convenience - of the new Canon REALiS WUX5000 and WUX5000 D Installation LCOS Projectors are the three optional high-resolution interchangeable lenses available for the units. These lenses - including a 1.5x Zoom, 0.8x Ultra Wide Angle single focal length, and 1.7x Long Focus Zoom - incorporate advanced low-distortion and high-resolution optical technologies originally developed for Canon's camera lenses. Engineered to minimize brightness loss, each lens is the same physical length, due to the use of advanced Canon aspherical elements. This uniformity of length can simplify shipment of assembled projector/lens units for rental/staging companies, and avoid lens-overhang issues when mounted inside projector-lift systems.
Additional installation convenience is provided by the Canon REALiS WUX5000 and WUX5000 D Installation LCOS Projectors' motorized Lens Shift feature. This enables installers to overcome moderate projector-placement obstacles by shifting the lens itself to adjust the vertical and horizontal position of the projected image. (This is done using the projector's control panel or remote control.) The projector can be ceiling-mounted with a plate or extension pole using either Canon's mounting bracket or products from independent ceiling-mount companies. When used in multi-projector configurations, the REALiS WUX5000 and WUX5000 D can also be stacked or installed side by side.
The projector's lamp and air filter assemblies can be expediently replaced from the back and side of the projector respectively, and its optical filter element can be replaced from the top of the unit for added convenience and economy.
Industry-standard digital and analog terminals and connectors ensure the new Canon REALiS WUX5000 and WUX5000 D Installation LCOS Projectors' compatibility with a wide range of video and computer devices. Signal inputs include HDMI Version 1.3, DVI-D and analog PC terminals, two audio inputs, and one audio output for external amplification and speakers. A built-in five-watt speaker is also included. A network-ready RJ-45 port allows for authorized users to manage and control multiple projectors from any PC on the network. An RS-232 serial connection allows for monitoring the projector locally through a third-party control system. A hand-held remote control enables users to control up to four REALiS WUX5000 and WUX5000 D Installation LCOS Projectors individually or simultaneously. Lens Shift and Gamma Control buttons are also included on the remote control.
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